Friday, February 19, 2010
Album Review: Crime In Stereo - I Was Trying to Describe You to Someone
I haven't received the vinyl in the mail yet, but I've decided to post the review anyway because I know all of my faithful followers have been saying to themselves "What the fuck assblood, post a new blog entry already!," so here it is. I figured that once I receive the record in the mail, I'll just update the photo at the top of the post.
Anyway, here's what I think of this record: it's a very good (almost brilliant) mess. When I first heard it, I didn't know what the fuck was going on and to this day, I still have a hard time breaking it down. But, regardless of how difficult it may be to digest and the fact that the album doesn't "flow" particularly well, there are some terrific songs. The intro track "Queue Moderns" is sort of a bore, though it picks up a bit toward the end. It leads into "Drugwolf," which is probably one of the band's best songs on any album. It serves as a great precursor to the rest of the record, as it has a late-90's alternative feel, mixed with a little bit of early-90's grunge. Plus, it includes all of the elements that make Crime In Stereo who they are. The third track, titled "Exit Halo," has some pretty cool riffs and what not, but the vocal effort is very poor on this song. After all is said and done, it's nothing more than a tribute to Brand New's recent material. "Not Dead" is a real gem - it is almost a mix of Nirvana and Cursive, coupled with Crime In Stereo's signature sound, and it all contributes to a very good track. "Odalisque" took me back to the band's last release, "...Is Dead," and would fit in very well on that album. "Young" is a very slow track, but is very catchy and the vocals are strong. There's actually a part in the song that reminds me a bit of Guns and Roses' "Patience."
Kicking off the second half of the album is "Type One," which is probably the most aggressive track on the album, as it would have a place on some of the band's older releases, as well. "Republica" is a bit of a mainstream-sounding song, as it even has a dance rock part in the middle, similar to Modest Mouse or Franz Ferdinand. Still good, though. "Dark Island City" is a remake of the track bearing the same name that was originally released on "The Troubled Stateside." However, this one sounds nothing like its predecessor. It is a slow, spacey track that features acoustic versions of the same riffs from the original song. The album ends with "I Cannot Answer You Tonight," which also sounds a bit like classic Crime In Stereo, but with cheesier lyrics ("It's OK, it's OK, come back to me!" is repeated several times throughout the track).
Overall, the album does not flow as well as "...Is Dead," doesn't pack the punch that "The Troubled Stateside" did, and it is hindered by some dull tracks and some shitty lyrics at times, but it is still a good release and another big step forward for a band that has become known for its progression.
Recommended if you like: Brand New, Nirvana, Cursive
Favorite track: "Drugwolf"